Sunday, July 25, 2010

Old Spice ad campaign - Made to Stick

What makes the recent Old Spice advertisement campaign so memorable?

During the recent world cup soccer finals, I recalled seeing an advertisement for Old Spice that "broke my guessing machine". A well built and good looking black man (Isaiah Mustafa) was the spokesperson, not a white man surfing the tube of giant waves. Among all the advertisements that day, this one stuck in my mind. Days later, I read about this ad campaign becoming one of the most followed and watched videos on YouTube. Borrowing ideas from Chip and Dan Heath's Made to Stick: Why Some Ideas Survive and Others Die, here is why I think the message stuck.

Simple - the old spice man can smell good despite baking a gourmet cake in a kitchen he built himself. Why wouldn't a lady want her man to Smell like a Man, Man by using the old spice bodywash?

Unexpected - my guessing machine was broken seeing the unexpected spokesperson, jolting me into attention.

Concrete - direct imagery to indicate that old spice's fragrance lasts - an adventure loving (walking on a floating log), hard working (built a kitchen with his own hands), fun loving (biker) person who still smells good.

Credible - looking at this strong and good looking guy, why wouldn't you believe he is all of the above?

Emotional - the messages are very personalized. Following the airing of the commercial, the ad agency seeded social networks with an invitation for people to ask questions of Isaiah's character. As the questions started flowing in, they made 87 short personalized video responses and posted them back to YouTube, thus appealing to people's egos. What better way to make the brand memorable?

Stories - each story in the video responses are connection plots, making people care.

Made to Stick - review

In Made to Stick: Why Some Ideas Survive and Others Die, Chip and Dan Heath discuss a template for formulating ideas in such a manner that it is memorable and even spreads spontaneously. The template is SUCCESS - Simple, Unexpected, Concrete, Credible, Emotional and Story.

At the heart of the book is this concept of Curse of Knowledge and how to avoid it. Simply stated, the concept is that one's deep understanding of an idea is also the reason why it is not effectively communicated. The analogy provided is a person hearing a tune in their head who taps to the tune so others can guess the song, then wonders why they struggle to guess (you can try this experiment at home).

Simplicity - find the core of an idea. Weed out not only superfluous and tangential elements but also ideas that are not the most important. However, don't dumb down the idea. Make/find the core mission, then find a compact way to communicate it.

On the battlefield, a commander's intent is a crisp statement that conveys a plan's goal and the desired end state of an operation. It does not specify so much detail that it risks being rendered obsolete by unpredictable events.

Use analogies to communicate instead of defining something in its entirety. "Generative analogies" are those that generate new perceptions, explanations and inventions. The founder of slideshare pitched his company to our Entrepreneurship class at Haas and started off by very succinctly saying that "slideshare is the YouTube of PowerPoint".

Unexpectedness - when we encounter the unexpected, surprise jolts us to attention, generates interest and curiosity. Use an element of surprise to convey insight relevant to the core message. Figure out what is counter-intuitive about the message and communicate it to break audience's guessing machines. To be most effective, surprise must be post-predictable - tying together all the clues to which you've been exposed all along.

"People are tempted to tell you everything, right up front, with perfect accuracy, when they should be giving you just enough info to be useful, then a little more, then a little more". Gap theory is that people are anxious to fill a gap in their knowledge. Our tendency is to tell people the facts. Instead, open a gap in their knowledge, then close them with details.

Concrete ideas are memorable. Concrete messages can be examined with your senses and creates an imagery that can be visualized.

Credible - conveying an idea using real people, particularly authorities, is the most compelling and credible way. Honesty and trustworthiness of our sources, not their status, makes them authorities. Sometimes anti-authorities can be more powerful than authorities. For example, a chain smoker with terminal lung cancer is a more effective anti-authority figure to discuss the harmful effects of smoking, then the surgeon general's statutory warning.

Vivid, concrete details lend credibility to an idea. Statistics should almost always be used to illustrate a relationship. People should remember the relationship more than the number itself. Generate a "human scale" for the statistic that people can relate to and experience.

Emotional - the most basic way to make people care is to draw an association between something they don't yet care about with something they do care about. Incorporate self-interest into the message. Emphasize benefits, not features - "what is in it for me?"

Stories - a credible idea makes people believe. An emotional idea makes people care. Right stories make people act.

Fight the temptation to skip directly to the "tips" and leave out the story. You can re-construct a moral from a story but you can't re-construct a story from a moral.

Stories with a challenge plot inspire us to act by describing a protagonist who overcomes formidable challenge to succeed. Connection plots inspire us through relationships with other people. Creativity plots make us want to do something different and experiment with new approaches.

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